Syntactically Attached




I am like a word or a 'lil chunk of phrases. 
a balderdash of mere irrelevant symbols, 
a lexical unit far removed from its syntactical web;
And my grammatical sense, I find, only
within the thread of your helical sentence.

I might be a subjective noun,
'Proper' am I at times, 
Yet 'common' and generic in its semantic nuance.

Ehr, myself is a lousy term and a barren word, indeed!;
am only good and alive when flavored with your honeyed adjective. 

Other times, I imagine myself a verb 
and you the beautiful subject.
I can be very mood-y and tense-d
Yet I promise to 'agree' with you, by all means. 

Know that my subjunctives, imperatives & indicatives are you;
Your 'facts,' 'desires,' and 'oughts' 
are essentially inflected within the  grammatical fabric of my moods.

For we are, in a word, "grammatically intertwined"
By commas, our discrete phrases are divided, 
yet our fragmentary clauses are meaningfully united. . .
Our modifiers can dangle and flout 
But they are reconciled
in the language games of our love.



Comments

Post a Comment

Popular Posts

Story of Hinilawod

Image
Edited by: Jezreel Madsa EPIC OF HINILAWOD Hinilawod is the oldest and longest epic poem in Panay. It is usually sung for a period of three weeks at intervals of two hours at night. It contains, in its complete form, some eighteen stories. Each story represents three generations. In the eastern part of what is known as the Philippines, there lived a beautiful goddess named Alunsina, goddess of the eastern sea. Alunsina fell in love with an ordinary mortal named Paubari and she married him though she knew that marriage between heavenly persons and ordinary mortals was frowned upon. When the marriage was discovered, Maklium-sa-t’wan, god of the plains and valleys, became angry. He vowed to make life miserable for the unfortunate couple. Together with other gods who felt insulted by the marriage, Maklium-sa-t’wan sent down raging storms and floods to the kingdom, of Paubari and Alunsina. Fortunately, Suklang Malayon, the guardian of happy homes, had warned
Read more

GOMBURZA: The Execution of the Three Priests

Image
The execution of these three priests is known in Philippine History as one of the grossest displays of sheer antagonism towards democracy. It is true that the phenomenon was precipitated by the 1872 Cavity Mutiny  ; that is,when the enjoyment of the long-standing advantage of laborers was overthrown by the burdensome claws of tyranny. Unfortunately, the dawning of these gloomy clouds of abuse started off when Governor General Rafael Ezquierdo replaced Carlos Maria dela Torre to take control the whole territory for two years. He imposed his iron-fist rule. Forced the Filipino laborers to pay heavy taxes and disallowed any form of reformation be it local or national. Meanwhile, when the mutineers arrived and captured the Fort, they killed Spanish officers and in turn resulted to a menacing skirmish between Spaniards and Filipino insurrectionists. Later on, it was found out by Ezquierdo's Spanish court martial on the 15th of February 1872, that the three priests [collectively
Read more

OUR JOURNEY COUNTS BETTER

Image
Towards our long uncertain odyssey Against the unfathomable sea we set No matter what lies ahead No matter what lies beneath Unfurl your sail with courage Trust the wind if the ocean waves Are uneasy to manage Across the distant shore, nakama Will be the end of all the drama The wind will grow calmer Our hopes ‘gain will spark and shimmer The Grand Line awaits our advent For a new voyage that blows a Kiss to the present We’ll bid hello then To the birth of new billows To a stormy gale and a giant whale We may run out of ale And our visage grows pale Regardless if the ship we aboard Be anyhow destroyed and wrecked. . . Or if our hope is prevailed over by our crosses The precious bond and journey Counts better than our losses.
Read more